Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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unknow artist
Staffan Stalledrang hose sina faction under these light stjarnan

ID: 48775

unknow artist Staffan Stalledrang hose sina faction under these light stjarnan
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unknow artist Staffan Stalledrang hose sina faction under these light stjarnan


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unknow artist

  Related Paintings of unknow artist :. | Marriage and mortise of the low sky | The Emperor justinian and his Court | Arab or Arabic people and life. Orientalism oil paintings 102 | Landscape | The Church of San Francisco |
Related Artists:
Birch, William Russell
American, 1755-1834
adriaen backer
the anatomy lesson of dr frederick ruysch, 1670. amsterdams historisch museum
Giovanni Paolo Lomazzo
1538 - 1600 was an Italian painter, belonging to the second generation that produced Mannerism in Italian art and architecture. Gian Paolo Lomazzo was born in Milan from a family emigrated from the town of Lomazzo. His early training was with Giovan Battista della Cerva in Milan. He painted a large Allegory of the Lenten Feast for San Agostino in Piacenza (1567). He also painted an elaborate dome with Glory of Angels for the Capella Foppa in San Marco in Milan. He also painted the Fall of Simon Magus in the wall of the chapel. Lomazzo became blind in 1571, and turning to writing, produced two complex treatises that are milestones in the development of art criticism. His first work, Trattato dell'arte della pittura, scoltura et architettura (1584) is in part a guide to contemporary concepts of decorum, which the Renaissance inherited in part from Antiquity, which controlled a consonance between the functions of interiors and the kinds of painted and sculpted decors that would be suitable; Lespingola offered a systematic codification of esthetics that typifies the increasingly formalized and academic approaches typical of the later sixteenth century. His less practical and more metaphysical Idea del tempio della pittura ("The ideal temple of painting", 1590) offers a description along the lines of the "four temperaments" theory of the human nature and personality,






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